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Whoa, that's one of the things that I did during my tenure at Creo/Kodak. Not with restaurants though, but with printshops. So step aside Chef Gordon Ramsay - this is where the blanket really hits the plate as revealed in some of the conversations I had during those years. (Season 2 can be found HERE.)
Chef Gordo to prepress: Do you use any kind of plate curves?
Prepress: Absolutely. We run all our plates dead linear. 50% in the file is exactly 50% on the plate.
Chef Gordo to prepress: But you run different screen frequencies and sometimes FM screens don't you?
Prepress: Yes. But we're quite proud that no matter what screening we use, our plates are dead accurate linear.
Chef Gordo: Bloody hell!
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Prepress: Ah, well, management orders those.
Chef Gordo: OK, so what are they?
Prepress: I think they're cool white fluorescents. They might be warm though.
Chef Gordo: Not D 5000s then?
Prepress: No, I think management figured these were just as good - but much cheaper.
Chef Gordo: Bloody hell!
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Press operator: Yeah.
Chef Gordo to prepress: Your Spectro's are from where?
Prepress: The U.S. of course.
Chef Gordo to press operator and prepress: Do you realize that your instruments are set to completely different standards? It's like one department is speaking Euro and the other U.S.
Prepress to Pressroom: Sh*t! So when we ask for certain densities your instruments report different numbers?
Chef Gordo: Bloody hell!
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Prepress: Uh, well, K: 1.70, C: 1.40, M: 1.40, Y: 1.05 - I think.
Chef Gordo to press room: What are the target densities that you run to?
Press room: Let's see, you mean typical? I think they're about K: 1.60, C: 1.30, M: 1.20, Y: 0.90
Chef Gordo: Bloody hell!
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Press room: Well, I'm not sure.
Chef Gordo: Not sure? Where's your calibration target? Your records?
Press room: Well, I'm sure they're around here somewhere. Frank! Have you seen those funny looking color patches around somewhere?
Frank: Color patches? Gee, I don't remember. Color patches, eh? Hmmm.
Chef Gordo: Bloody hell!
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